Swans

This cow made me smile the second I saw it, and I kept smiling the entire time I painted it. I wanted something that felt jolly and ridiculous in the best way—so I leaned into the exaggerated perspective, pushed the colors brighter, and gave the snoot all the wet, shiny detail it deserved. The curls…

I started this piece knowing I wanted a gathering—ducks, geese, something with glow and contrast and a little chaos, and ended up being one of my happiest pieces. It took years. I kept adding details, then pulling them back, chasing a feeling I couldn’t quite name. Eventually, it clicked: the lineup felt alive, like they…

This painting began as an exercise in light, but it turned into something gentler — a moment of calm between the shepherd and his flock. I wanted the morning to feel new, fragile, and full of quiet purpose. The figures don’t speak, yet their closeness says enough. The shepherd looks at his sheep, and not…

This was the biggest canvas I’d ever worked on back in high school, and I went all in. I wanted to paint a sunbeam—one of those quiet, golden ones that slips into a dark room and makes everything feel like magic. The dust in the light was key: I painted it like specks of gold,…