Swans

This was the biggest canvas I’d ever worked on back in high school, and I went all in. I wanted to paint a sunbeam—one of those quiet, golden ones that slips into a dark room and makes everything feel like magic. The dust in the light was key: I painted it like specks of gold,…

I painted this while working through a lot of emotion—feeling lost and frustrated. Her gaze carries that weight. She might be looking at you, or just past you, and it’s up to the viewer to decide what she’s thinking. Peaceful? Sad? Something in between? This was an experiment in light and contrast—chiaroscuro with loose, impressionistic…

This cow made me smile the second I saw it, and I kept smiling the entire time I painted it. I wanted something that felt jolly and ridiculous in the best way—so I leaned into the exaggerated perspective, pushed the colors brighter, and gave the snoot all the wet, shiny detail it deserved. The curls…

I painted this in one sitting—six hours straight—as a birthday gift for my mom. It began with a monochromatic reference, but the colors didn’t stay quiet. They surged forward, unexpected and insistent, like they had their own momentum. It felt less like I was choosing them and more like they were choosing me. This was…

I started this piece knowing I wanted a gathering—ducks, geese, something with glow and contrast and a little chaos, and ended up being one of my happiest pieces. It took years. I kept adding details, then pulling them back, chasing a feeling I couldn’t quite name. Eventually, it clicked: the lineup felt alive, like they…