Nina Pet Portrait

I wanted this piece to feel like a quiet pause… Poppies have a long history of symbolizing remembrance, especially in Europe, and I leaned into that while painting. The figure stands alone in the field, hair blown across the face, eyes hidden. It’s a moment of stillness—just you, the wind, and the red. I felt…

I painted this while working through a lot of emotion—feeling lost and frustrated. Her gaze carries that weight. She might be looking at you, or just past you, and it’s up to the viewer to decide what she’s thinking. Peaceful? Sad? Something in between? This was an experiment in light and contrast—chiaroscuro with loose, impressionistic…

This painting began as an exercise in light, but it turned into something gentler — a moment of calm between the shepherd and his flock. I wanted the morning to feel new, fragile, and full of quiet purpose. The figures don’t speak, yet their closeness says enough. The shepherd looks at his sheep, and not…

This cow made me smile the second I saw it, and I kept smiling the entire time I painted it. I wanted something that felt jolly and ridiculous in the best way—so I leaned into the exaggerated perspective, pushed the colors brighter, and gave the snoot all the wet, shiny detail it deserved. The curls…

I painted this as a gift, starting with photobashed references and building out the scene from there. I added water, birds, ruins, and subtle hue shifts throughout to make it feel a little surreal—like a dream you can almost remember. The elephant is the centerpiece, standing calm in the middle of something ancient and overgrown….